Kay Montano

Wanderlust

VIOLET
is now here. Here is a story I created. Photographed by Nicole Nodland, words by Rosalind Jana.

The junket

Madrid last night

Berlin 3 days ago

Marisol ‘Pepa Flores’ #SpanishActress

"I’ll tell you one of the reasons I’m ready to leave. When I first came to Hollywood five years ago, my makeup call was at eight in the morning. On this movie it’s been put back to seven-thirty. Every day I see Joan Crawford, who’s been in makeup since five, and Loretta Young, who’s been there since four in the morning. I’ll be god-damned if I’m going to stay in a business where I have to get up earlier and earlier and it takes longer and longer for me to get in front of a camera.
I hated Hollywood. It’s a town without pity. I know of no other place in the world where so many people suffer from nervous breakdowns, where there are so many alcoholics, neurotics, and so much unhappiness.” Grace Kelly telling it.

"I’ll tell you one of the reasons I’m ready to leave. When I first came to Hollywood five years ago, my makeup call was at eight in the morning. On this movie it’s been put back to seven-thirty. Every day I see Joan Crawford, who’s been in makeup since five, and Loretta Young, who’s been there since four in the morning. I’ll be god-damned if I’m going to stay in a business where I have to get up earlier and earlier and it takes longer and longer for me to get in front of a camera.
I hated Hollywood. It’s a town without pity. I know of no other place in the world where so many people suffer from nervous breakdowns, where there are so many alcoholics, neurotics, and so much unhappiness.” Grace Kelly telling it.

Heaven! Joni Mitchell in Kodachrome rediscovered & redigitized from 1975 by Norman Seeff  💙

Heaven! Joni Mitchell in Kodachrome rediscovered & redigitized from 1975 by Norman Seeff 💙

sighswhispers:

"The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed. For a long time there may be no perceptible reward for women other than their new sense of purpose and integrity. Joy does not mean riotous glee, but it does mean the purposive employment of energy in a self-chosen enterprise. It does mean pride and confidence. It does mean communication and cooperation with others based on delight in their company and your own. To be emancipated from helplessness and need and walk freely upon the earth that is your birthright. To refuse hobbles and deformity and take possession of your body and glory in its power, accepting its own laws of loveliness. To have something to desire, something to make, something to achieve, and at last something genuine to give. To be freed from guilt and shame and the tireless self-discipline of women. To stop pretending and dissembling, cajoling and manipulating, and begin to control and sympathize. To claim the masculine virtues of magnanimity and generosity and courage. It goes much further than equal pay for equal work, for it ought to revolutionise the conditions of work completely. It does not understand the phrase ‘equality of opportunity’, for it seems that the opportunities will have to be utterly changed and women’s souls changed so that they desire opportunity instead of shrinking from it.” #iwd2014
― Germaine Greer, ‘The Female Eunuch’ (1970). Photographed by Eva Sereny in Tuscany, 1974.

sighswhispers:

"The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed. For a long time there may be no perceptible reward for women other than their new sense of purpose and integrity. Joy does not mean riotous glee, but it does mean the purposive employment of energy in a self-chosen enterprise. It does mean pride and confidence. It does mean communication and cooperation with others based on delight in their company and your own. To be emancipated from helplessness and need and walk freely upon the earth that is your birthright. To refuse hobbles and deformity and take possession of your body and glory in its power, accepting its own laws of loveliness. To have something to desire, something to make, something to achieve, and at last something genuine to give. To be freed from guilt and shame and the tireless self-discipline of women. To stop pretending and dissembling, cajoling and manipulating, and begin to control and sympathize. To claim the masculine virtues of magnanimity and generosity and courage. It goes much further than equal pay for equal work, for it ought to revolutionise the conditions of work completely. It does not understand the phrase ‘equality of opportunity’, for it seems that the opportunities will have to be utterly changed and women’s souls changed so that they desire opportunity instead of shrinking from it.” #iwd2014
― Germaine Greer, ‘The Female Eunuch’ (1970). Photographed by Eva Sereny in Tuscany, 1974.